MyVidster Tag results for 60d

the canon 60d difference
Bookmarked 786 weeks ago
http:wwwcanon60dreviewsorg will open new doors featuring canon 60d check it out now

some old ford
Bookmarked 789 weeks ago
a story about a man and his carproduced by ben pender-cudlip amp unrendered filmshttp:unrenderedorgmusic by jenee halstead used with permissionhttp:jeneehalsteadcomspecs: 1964 ford galaxie 500 xl factory quotzquot code car originally with a 390 cubic inch engine and factory 4-speed 03963 quotrquot code 427 engine with a big input toploader 4-speed factory cast iron long tube headers with 2quot exhaust and stock mufflers 427 rebuilt to stock specs in 03978 or 03979 by leifert automotive 391 traction-lok rear 15quot steel rims and radial tires

san diego fireworks 2012 up close and in hd and
Bookmarked 736 weeks ago
behold as night becomes day taken with a canon 60d dslr i borrowed from my church thecitychurchsdorg

because the origami - 8in8
Bookmarked 797 weeks ago
this song was written and recorded by 8in8 one night a couple of weeks ago - http:musicamandapalmernetalbumnighty-night - written by neil gaiman performed by ben folds and amanda palmerthey released it under a cc license in the hope that people would make videos for the tracks we loved this song so much that we were inspired to make this fan video - it just took a while getting the correct props together hope you enjoy it - we had so much fun making itfeaturing holly jacobson - http:hollyjacobsoncoukdirected shot and edited by ben jacobson - http:benjacobsoncoukassisted by benjamin davisproduced by kaley jacobsonspecial thanks to all our friends who helped with props - and especially to harry the ponyshot on 60d with cinestyle profile throughout very minimal grading except applying the lut - i love the look this profile giveslenses: tokina 11-16 28 50mm 14 100mm macro 28

quotorionquot - motion controlled night timelapse
Bookmarked 800 weeks ago
shot in central south dakota in late march-early april it was the first time i039ve had the chance to use an orion head mounted on the dynamic perception stage zero dolly http:wwwdynamicperceptioncomthe orion aka merlin or celestron teletrack telescope head allows for an ultra slow pan and tilt of the camera while it moves slowly along the dolly the mx2 controller from dynamic perception runs the dolly as well as the orion head i also used a quotmilapsequot mount on a few shots as well the orion works great with the mx2 and the dolly i039ll be using it often meteor flash at :53 wide shot see close up pic belowat 2:09 you can see the orion panning and tilting on the dollycanon 60d and 550dtokina 11-16 sigma 20mm f18tamron 17-50shot in raw format most shots were 25 seconds exposure f28 or 18 on the sigma with 2 second interval between shots for about 300 frames or so several hours there were a few 30 second exposures iso 1600music: equinox by the american dollardownload a free 9 track american dollar sampler here: http:wwwtheamericandollarbandcampcomalbumfree-winter-2010-compilationread more on wiredcom http:wwwwiredcomwiredscience201104time-lapse-astrophotographyfor more info or licensing contacthttp:wwwdakotalapsecomhttp:twittercomdakotalapsehttp:wwwfacebookcompagesdakotalapse111818295557281

review of the canon eos 60d
Bookmarked 817 weeks ago
editor of digital slr user magazine adam scorey tests out the canon eos 60d

halloween cute banana cat
Bookmarked 736 weeks ago
cooper is an 18-month-old cream-white persian kitty he is a sweetheart who openly displays his affection for others with tongue baths and fluffy rubsbrushups cooper loves to try out delectable treats after transforming into a banana split sundae for halloween cooper was rewarded with a fresh bananajoin us at http:sweetfurrblogspotcom for more cute pictures and videos

just because: tricycle calligraphy
Bookmarked 776 weeks ago
media artist nicholas hanna built a tricycle that can also paint chinese characters on the ground as it moves just becausewater calligraphy has a long history in china normally characterized by older chinese men painting characters on the ground of parks with long brushes and water nicholas039 version is a wee bit more complicatedlearn more about this project at http:wwwdslrnewsshootercom20110925just-because-tricycle-calligraphy

victoria richey
Bookmarked 739 weeks ago
model - victoria richeydirector - jeffrey mcgovernmusic - awolnation - quotsailquot

beeshop - subway sessions live at nyc - quotvick i039m sorryquot
Bookmarked 765 weeks ago
captado e editado por daniel ferroum take no improviso gravado na union square station em manhattan nyc setembro 2011filmado com canon 60d lente sigma 10-20 35f sennheiser mke400agradecimentos: multishow mellinvideos e grupo salmais info: http:danielferrocombr-------------------------------------------------------------recorded and edited by daniel ferroone guitar one take no rehearsal shot at union square station in manhattan nyc september 2011thanks to multishow mellinvideos and grupo salmore info: http:danielferrocombr

beeshop - subway sessions live at nyc - quotporto alegrequot
Bookmarked 765 weeks ago
captado e editado por daniel ferroum take no improviso gravado na union square station em manhattan nyc setembro 2011filmado com canon 60d lente sigma 10-20 35f sennheiser mke400agradecimentos: multishow mellinvideos e grupo salmais info: http:danielferrocombr-------------------------------------------------------------recorded and edited by daniel ferroone guitar one take no rehearsal shot at union square station in manhattan nyc september 2011thanks to multishow mellinvideos and grupo salmais info: http:danielferrocombr

what tech does thecomputernerd01 and joshsobo use for youtube
Bookmarked 748 weeks ago
http:wwwyoutubecomuserthecomputernerd01http:wwwyoutubecomuserjoshsobodirect from playlist live 2012 this is a look at the technology some of the top youtube producers are using to make their videos possible in this video we039ll take a look at the tech thecomputernerd01 and joshsobo uses to produce content for youtubewhat about you do you produce video content if so what technology do you use

solo tourism - empty london
Bookmarked 793 weeks ago
this was done as my end year video i wanted to test a composting heavy short so i deiced why not go all out and go mad with masking using timelapse and photoshop files to create something unique there is the shot breakdown video to be uploaded tomorrow showing you how it was all done some shots have upwards of 150 masks all the footage is made up of about 7000 or so imagestheres a few errors with it but its probably only stuff i can see as ive been working on it for 3 weeks but im also sure you will find them if you hunt for them also :-some shots was harder than others and all the london shots was filmed in a 5 hour stint on a very sunny may 7th and all using my trusty 60d with a nice 10-22mm lens on itapplications usedaftereffects css55photoshop cs51premire cs55bridge cs55update ------breakdown video - http:wwwyoutubecomwatchv=-e4bxgl85j8-----------------music rights go to http:freemusicarchiveorgmusickarl_blau

the bridge
Bookmarked 781 weeks ago
the vision:back in october of 2009 i set out to make a film that would push my talents as both a storyteller and a filmmaker i wanted to create a film that would challenge myself and my audience meshing both classical and experimental storytelling techniques from music books amp films that have inspired me in one way or another i wanted to make a film that didnt do any spoon-feeding where my audience would leave with questions as well as answers it was a long a difficult road to get to this point and there were days where i felt that i was in way over my head but eight months later i can proudly say ive finally completed my film the bridge and it was an experience i would never forgetthe inspiration:the story of the bridge was a story a cousin had told me when i was eight years old it was a ghost story about two siblings on a bridge i remember it haunting me for weeks and causing many sleepless nights under my sheets obviously it had a lasting influence in my life it had always been one of those stories that i wanted to adapt into a short film so when the opportunity finally came one day i decided to pull to trigger when i was in film school i would constantly fantasize about making some sort of epic period piece especially one that took place during ww2 so when i decided i was going to make the bridge i instantly followed it up with hell why not make it into a ww2 movie i could have easily made this film as a contemporary piece but where would the fun be in that i never do things because its easy i do it because its hard i love a challenge i figured i could keep the same characters themes motifs style and wrap it around a ww2 setting so i did pre-production:so it began after a quick outline i started writing the screenplay and being a one-man crew at the time i also started doing work on costumes and props i lived and breathed ww2 247 i watched every ww2 movie and documentary i could get my hands on i even got my hands some real ww2 letters to get a grasp on the eras language i felt like a student again and i loved it i scoured ebay for every ww2 field gear i could afford to buy and the stuff i couldnt get i had them custom made cheaply in china i wanted it to be detailed and authentic as possible while keeping my almost non-existing budget down i remember coming home one day and having almost a couple dozen ebay packages on front door it looked like the front door of the post officecasting:the casting of the bridge was actually one of the smoothest aspects of the entire process i first went to my good friend amy and asked her if she would like to help me produce the film having worked with each other before i didnt really have to ask twice she was happy to be my first recruit for the leading role i asked my good friend pablo soriano to take the part having worked with him before we have a good understanding of each other he is just a naturally gifted actor and he makes my job as a director so much easier plus his puppy dog eyes make him a perfect protagonistfor the leading female role i went looking for a girl who had beautiful almost hypnotic eyes thats when i spotted leah in one my good friends music video i called up carlos and basically told him i need to have that girl for movie a few days later she was on boardi owe the discovery of mike the character who plays james connolly to my producer amy she had read the script and recommended him i remember her telling me mike is james words that any director would love to hear and as usual amy was rightso a couple months later the script was complete the costumes and props were ready and the cast was cast we were ready to shootproduction:with our extremely limited budget i knew right from day one that we were going to shoot the bridge on dslrs specifically the canon 7d and 5d mark ii with this in mind i knew as also the dp of the film i was going to push these cameras to its limits i wasnt going to let my equipment limit my vision of the film i knew at the very beginning that i may or may not have a crappy movie in the end but hell its gonna look damn good we all know about the cameras limitations but i wasnt going to bitch and moan about it i was going to work around it i took it as a personal challenge to make these cameras work and i didabout 75 of the film was shot with the 7d and the rest with the 5dm2 the main reason i shot with the 7d more was the 24p firmware update wasnt available for the 5dm2 during the bulk of the shooting i prefer the 5dm2s full frame sensor the 7d cropped sensorproduction like any other shoot had its ups and downs ours was mainly san franciscos unpredictable weather you can blink and the bay area can go from miserable foggy weather which is what i wanted for the film to perfect summer beach party weatheralso being a guerilla production also has its own set of problems i remember an actor and i almost getting arrested at a national park because a tourist reported seeing some soldier carrying a rifle we got patted down and escorted off the premises before the ranger let us go she handed me a business card for film permits i thought that was hilariouspost-production:there wasnt really a post-production for the bridge i did post simultaneously during production i would shoot on a weekend and then do visual effects or picture and sound editing on the weekdays it was a very indie film workflow the upside was i always had very polished dailies to show my cast and that kept them motivated to give me their besti spent my first two years out of film school as a cg artist being able to do my own 3d animation modeling surfacing lighting and rendering definitely upped the production value of my film cg artists arent cheap and i calculated that if i had paid someone else to do my visual effects it would have been double the entire budget of the filmi hate adr and foleying but if you dont have a budget you have to do it yourself we had two whole scenes where sound was completely unusable the tunnel scenes so we had to redo it from scratch i remember adr sessions inside automobiles and 2 am foley when my neighborhood is quiet and i dont have to deal with traffic and barking dogsi discovered my composer justin browsing through some filmmaking forums he is such a talented musician he added so much emotion to my film being a super control-freak its very difficult for me to hand off any aspect of my film to someone else unless i have 100 percent confidence in that person justin is one of those people in fact justin was the only other person who had a hand in post aside from meit was tough being a one man studio for this film i acted as dp and director on sunday editor on monday sound editor on tuesday visual effects artist on wednesday and thursday and compositor on friday i got some rest on saturday while my two computer farm renders but in the end when it all comes together nothing feels more rewarding than seeing the art youve created i can safely say that i created something im very proud offull circle:so here it is 8 months work compressed into a 30-minute narrative short the film i set out to create back in october of 2009 i would like to thank everyone who was a part of it i couldnt have done it without you to my viewers i hope this film challenges you like it challenged me enjoycast:henry sullivan - pablo sorianojames connelly - mike frenchsamantha johnson - leah thompsonmitchell walker - mitch walkermusic by:justin r durbanproduced by:amy ngwritten directed shot and edited by:marlon torres tech specs:camera: canon 5d mark ii canon 7dlenses: canon 35mm f2 50mm f14 85mm 18 100mm f28 24-105mm f4l 70-200 f4lsound: zoom h4n rode ntg2running time: 30 minutesformat: 185:1 h264 hdfor more information about the filmmaker please visit: wwwtorresstudioscomor email him at: contacttorresstudioscomor add him on: wwwfacebookcommarlontorresimdb: http:wwwimdbcomtitlett1679300

aicp southwest 2011 sponsor reel
Bookmarked 767 weeks ago
our creative minds here at element x creative http:wwwelementxcreativecom were pretty stoked about the association of independent commercial producers aicp asking us to create this year039s sponsor reel for the southwest show the creative carte blanche was daunting given such a small window of time to concept and produce a 5 minute piece it was even more challenging considering our own expectations were set high not only in terms of storytelling but wanting to create something that had not been done in the history of the showafter hours and hours of brainstorming concepts we found an idea involving trains and miniatures that the whole studio could rally behind every individual under our roof came together to write storyboard model texture shoot rig animate composite and edit the final product many late nights and take-out orders later combined with a music and sound effects mix from tequila mockingbird the end video was stunning to beholdso take a peek at our latest and greatest we hope you have as much fun watching it as our hero jack had while running around in the tiny world we created for him